{"id":320818,"date":"2024-12-10T13:08:46","date_gmt":"2024-12-10T12:08:46","guid":{"rendered":"https:\/\/heritagestudies.eu\/?p=320818"},"modified":"2024-12-19T14:41:57","modified_gmt":"2024-12-19T13:41:57","slug":"handbook-on-intangible-cultural-practices-as-global-strategies-for-the-future","status":"publish","type":"post","link":"https:\/\/heritagestudies.eu\/handbook-on-intangible-cultural-practices-as-global-strategies-for-the-future\/","title":{"rendered":"Handbook on Intangible Cultural Practices as Global Strategies for the Future"},"content":{"rendered":"
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Twenty Years of the UNESCO Convention on Safeguarding Intangible Cultural Heritage<\/strong><\/span><\/h3>\n

Dieses Buch zum 20 j\u00e4hrigen Bestehen der Konvention zum immateriellen Erbe ist mit 45 Autoren und Autorinnen aus mehr als 20 L\u00e4ndern L\u00e4ndern ein neues Highlight in unserer Reihe Heritage Studies und als Open Access Buch<\/a> abrufbar.<\/strong><\/p>\n

Christoph Wulf<\/strong><\/p>\n

Open Access | \u00a9<\/span> 2025<\/a><\/p>\n

\u00dcber dieses Buch
\n<\/strong><\/p>\n

Dieses Open-Access-Handbuch<\/a> ist das erste, das eine Bestandsaufnahme und einen umfassenden internationalen und interdisziplin\u00e4ren \u00dcberblick \u00fcber die Entwicklungen in der lebendigen Kultur seit Beginn der Konvention zum Schutz des immateriellen Kulturerbes im Jahr 2003 pr\u00e4sentiert. Es basiert auf einem erweiterten Kulturbegriff, wie er seit den 1980er Jahren von der UNESCO und von mehr als 180 L\u00e4ndern verwendet wird. Die Konvention verdeutlicht die bedeutende Rolle des globalen S\u00fcdens bei der Sensibilisierung des Planeten f\u00fcr die Bedeutung immaterieller kultureller Praktiken als konstituierende Bestandteile kultureller Identit\u00e4t. Da in den kommenden Jahrzehnten immaterielle kulturelle Praktiken f\u00fcr eine nachhaltige und friedliche planetarische Kommunikation immer wichtiger werden, wird dieses Buch einen wesentlichen Beitrag zu diesen Entwicklungen leisten.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Keywords: <\/strong>living heritage, intangible cultural practice, safeguarding intangible cultural heritage, identity building through intangible cultural heritage, aesthetics and intangible cultural heritage, digital and post-digital culture and ICH, mimetic learning in intangible cultural practices, practical knowledge and intangible cultural heritage, resilience through intangible cultural practices, performativity of intangible cultural practices, participation in intangible cultural practices, global citizenship through intangible cultural practices, intangible cultural practices as strategies for the future, Anthropocene and practices of intangible cultural heritage, education through intangible cultural practices, community building through intangible cultural practices, human rights through intangible cultural practices<\/p>\n


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Table of contents<\/strong><\/p>\n

Introduction <\/strong><\/p>\n

Christoph Wulf, Living Cultures in the Anthropocene. Taking Stock of Initiatives across the World<\/p>\n

I Living Heritage as Initiator of Transition<\/strong><\/p>\n

Susanne Schn\u00fcttgen, Living Heritage \u2013 A Contribution from UNESCO<\/p>\n

Pier Luigi Petrillo, Living Heritage as a Global Public Good and Sustainable Development<\/p>\n

Marlen Meissner, Giving a Voice to the People: Intangible Cultural Heritage in Transformation and Structural Change<\/p>\n

Marie -Theres Albert, World Heritage and Intangible Heritage \u2013 What Connects it and what Differentiates it?<\/p>\n

Thomas Schmitt, UNESCO\u2019s World Heritage Convention, the Intangible Heritage Convention and the Masterpiece Programme. An Analysis of Mutual Relations, References and Distinctions<\/p>\n

 <\/p>\n

II Colonialism, Minorities, Inequalities, and the Struggle for Human Rights <\/strong><\/p>\n

Michael Omolewa, Emmanuel Orihentare Eregare & Rose Eyefujinrin Ebohon,<\/p>\n

Africa\u2019s Response to Intangible Cultural Heritage Convention<\/p>\n

Nina Graeff, Notes Nobody Notes: Samba as Musical Heritage of African Ancestry in Brazil<\/p>\n

Michelle L. Stefano, Threats and Approaches in Safeguarding of Intangible Cultural Heritage. A View from the United States<\/p>\n

Lydia Kieven & Christoph Antweiler, Controversial Intangible Heritage in Indonesia<\/p>\n

Kristin Kuutma & Elo-Hanna Seljamaa, Intangible Heritage and the Complexities of Inequalities in the Politics of Belonging<\/p>\n

Eva Kuminkov\u00e1, L\u2019ubica Vol\u2019ansk\u00e1 & Martin Andrade Perez, On Reaching a Consensus: A Paradigm for the Inscription of Elements on the UNESCO Lists of Intangible Cultural Heritage<\/p>\n

 <\/p>\n

III Identity Building, Participation, and Conflicts<\/strong><\/p>\n

Hanna Schreiber, Twenty Years of the UNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: Experiences from the Implementation of the Convention in Poland (2011-2023)<\/p>\n

Stefan Koslowski & Julien Vuilleumier, Valleys Low, Mountains High. Embedding the 2003 Convention in Switzerland<\/p>\n

Benjamin Hanke, Expanding Cultural Participation through the 2003 UNESCO Convention in Germany\u2019s Multi-Level Governance System<\/p>\n

Sophie Elpers, Making Sense \u2013 and Talking about Smell. Dynamics of the Implementation of the 2003 Convention in the Netherlands<\/p>\n

Hahm, Hanhee & Yong Gu Kim, An Examination of the Developmental Process and Characteristics of the Korean Intangible Cultural Heritage Protection System<\/p>\n

Anying Chen, The Special Way of Intangible Cultural Heritage Safeguarding in China and Some New Practice and Concepts<\/p>\n

Viviana Polo-Fl\u00f3rez, What Contribution do Intangible Cultural Heritage Practices make to Identity? Global, Regional, National, and Local Perspectives. A Colombian Case Study<\/p>\n

Hani Hayajneh, Against All Odds: Keeping Intangible Cultural Heritage in the Arab World Vivant<\/p>\n

 <\/p>\n

IV Living Culture in Aesthetic Encounters<\/strong><\/p>\n

Tiago de Oliveira Pinto, Music as Heritage<\/p>\n

Vicky K\u00e4mpfe, Modern Dance Created in Germany. The Safeguarding and Creative Practice of Dance Heritage<\/p>\n

Christoph Wulf, Intangible Cultural Heritage: Challenges and Expectations<\/p>\n

Hartwig L\u00fcdtke, Museums as Facilitators in the Safeguarding of Intangible Cultural Heritage<\/p>\n

Julius Heinicke, The Glocal Self: Cultural Policy Concepts between Heritage and Future Using the Example of Berlin\u2019s Humboldt Forum<\/p>\n

Sharmistha Saha, From Communities of Belief to Artists in Performance: \u2018Clear Enigma\u2019 of Odin Teatret and the Pulluvas, or Three Transitions in Heritage<\/p>\n

 <\/p>\n

V Challenging Issues, Future Developments, and New Areas of Research<\/strong><\/p>\n

Gertraud Koch, Julia Rausch & Anna Stoffregen, Cultural Economies of Intangible Cultural Heritage as Modalities of Care. The Wealth of Networks, Community-Based Value Chains and Commoning<\/p>\n

Benjamin J\u00f6rissen & Leopold Klepacki, Deeply Entangled, Never Alone: Intangible Cultural Heritage Practices in Post-Digital and Digital Culture<\/p>\n

Suzanne Ogge, Threats to the Transmission of Living Heritage among Children and Youth. Social Media Use, Reflections and Suggestions from a decade of Capacity-building<\/p>\n

Payal Arora, Metaphors for the Study of Digital Heritage Cultures<\/p>\n

Cristina Amescua-Ch\u00e1vez & Montserrat Patricia Rebollo Cruz, Anthropology as a Catalyst in Living Heritage World-Making Projects: The Case of the Voladores Ceremony in Mexico<\/p>\n

Manuel Trummer & Mirko Uhlig, Intangible Heritage as a Factor of Cultural Resilience in Rural Areas of Germany<\/p>\n

Tomo Ishimura, Restoration of Intangible Cultural Heritage and Communities after Disasters: Cases of \u201cSoma Nomaoi\u201d and \u201cObori Soma Yaki\u201d in Fukushima Prefecture, Japan<\/p>\n

 <\/p>\n

Editor and Affiliation<\/strong><\/p>\n

Christoph Wulf, Anthropologie und Erziehung, Freie Universit\u00e4t Berlin, Berlin, Germany<\/p>\n

About the editor<\/strong><\/p>\n

Christoph Wulf, PhD, is Professor of Anthropology and Education, member of the Interdisciplinary Center for Historical Anthropology, the Research Training Group \"Body Stagings (1997- 2006), the Collaborative Research Center \"Cultures of the Performative\" (1999-2010), the Cluster of Excellence \"Languages of Emotion\" (2007-2014) and the Research Training Group \"InterArts Studies\" (2006-2015) at Freie Universit\u00e4t Berlin. His books have been translated into twenty languages. He was founding secretary of the \"Education Commission\" of the \"International Peace Research Association\", president of the \"Network Educational Science Amsterdam\", initiator and chairman of the Commission on Pedagogical Anthropology of the German Society for Educational Science. He is vice president of the German UNESCO Commission. Visiting professorships and research stays in, among others: Stanford, Paris, Rome; Lisbon; Vienna, Basel, Stockholm, Amsterdam, London, Tokyo, Kyoto, Mysore, New Delhi, Beijing, Shanghai, Saint Petersburg, Moscow, Kazan; Sao Paulo. Main research interests: Historical-cultural anthropology, pedagogical anthropology, aesthetic and intercultural education, performativity and ritual research, diversity and emotion research, mimesis and imagination research; cultural education; Anthropocene research.<\/p>\n

 <\/p>\n

Bibliographic Information<\/strong><\/p>\n

Book Title: Handbook on Intangible Cultural Practices as Global Strategies for the Future\/n<\/p>\n

Book Subtitle: Twenty Years of the UNESCO Convention on Safeguarding Intangible Cultural Heritage<\/p>\n

Editor: Christoph Wulf<\/p>\n

Series Title: Heritage Studies<\/p>\n

Publisher: Springer Cham<\/p>\n

Copyright Information The Editor(s) (if applicable) and The Author(s) 2025<\/p>\n

Hardcover ISBN978-3-031-72122-9 Due: 27 December 2024<\/p>\n

Softcover ISBN978-3-031-72125-0Due: 27 December 2025<\/p>\n

eBook ISBN978-3-031-72123-6Due: 27 December 2024<\/p>\n

Series ISSN 2946-6059<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Dieses Open-Access-Handbuch<\/a> ist das erste, das eine Bestandsaufnahme und einen umfassenden internationalen und interdisziplin\u00e4ren \u00dcberblick \u00fcber die Entwicklungen in der lebendigen Kultur seit Beginn der Konvention zum Schutz des immateriellen Kulturerbes im Jahr 2003 pr\u00e4sentiert. Es basiert auf einem erweiterten Kulturbegriff, wie er seit den 1980er Jahren von der UNESCO und von mehr als 180 L\u00e4ndern verwendet wird. Die Konvention verdeutlicht die bedeutende Rolle des globalen S\u00fcdens bei der Sensibilisierung des Planeten f\u00fcr die Bedeutung immaterieller kultureller Praktiken als konstituierende Bestandteile kultureller Identit\u00e4t. 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Es basiert auf einem erweiterten Kulturbegriff, wie er seit den 1980er Jahren von der UNESCO und von mehr als 180 L\u00e4ndern verwendet wird. Die Konvention verdeutlicht die bedeutende Rolle des globalen S\u00fcdens bei der Sensibilisierung des Planeten f\u00fcr die Bedeutung immaterieller kultureller Praktiken als konstituierende Bestandteile kultureller Identit\u00e4t. 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